Uzbek Folklore and its Characteristics

Mamarasulzoda A  Zulhumor

Mamarasulzoda A Zulhumor Teacher of Jizzakh State Pedagogical University

Keywords: music, maqam, folklore, tone, music theory, sound, status, musical instrument, bud, ilmi-talif, ilmu-iyqo, teaching music, ceremonial music, shashmaqam, music education

Abstract

The issues raised in Uzbek music treatises are close to modern elementary music theory. But they also have issues related to the practical aspects of the East peoples’ music in the past, which is not the case in modern music theory. The earliest remaining examples of Central Asian folklore can only be found in a few historical sites, memoirs, and scholarly publications. They included proverbs, ballads, epics of bravery and heroism, war legends, and myths. In this article, the stages of development of Uzbek music art, especially folklore art, its history and types are studied.

References

1. Hakimov N. Istoriya ispolnitelstva na narodnix instrumentov Sredney Azii.- D.: Irfon, 1989. – 160 s/
2. Ibragimov O. “O‘zbek musiqa ijodi” /1990.
3. Ibrohimov O. Maqom VA makon. T., 1997.
4. Karomatov F.M. Uzbekskaya instrumental'naya muzika. Nasledie. T., 1972.
5. Malik Murod. O‘zbek qadriyatlari. “Cho‘lpon nashriyoti”. Toshkent.-2005.
6. Mirzaev T. Xalq Baxshilarining epik repertuari. “Fan” nasshriyoti / Toshkent, 1979.
7. Murodova.D. Shashmaqom an'analari va zamonaviylik / Tuzuvchi va mas'ul muharrir / T., 2005.
8. Matyoqubov O. OG‘zaki an'anadagi professional musiqa asoslariga kirish. T., 1983.
9. Matyoqubov O. Buxoro Shashmaqomiga bir nazar / “Musiqa nashriyoti.” Toshkent, 2018.
10. Nizomov M. Folklor qo‘shiqlari / Toshkent, 1999.