Future Tasks of Developing Art in Building an Enlightened Society in New Uzbekistan

Abstract

Culture combines with collective identity through theater which integrates literature together with music visual arts and performance as a mixed artistic medium. New Uzbekistan places theater development at the center of an enlightened society-building effort because it uses performance to spread moral and intellectual together with aesthetic values. Research on the changing theoretical bases of theater especially regarding the development of playmaking and interactive audiences fails to receive proper scholarly examination despite its historical and artistic value to modern society. This article evaluates theater's intellectual development as a distinctive performing art through a social context by demonstrating its capacity to mold societal beliefs and ethical values and community-wide memorabilia. The research investigation identifies theater's ancient beginning through ritualistic performances with masks as well as Dionysian ritual and demonstrates their link to contemporary dramaturgy by showing play remains as theater's fundamental expression. Entertainment’s central theatrical element emerges from the actor who produces unique artistic creations by properly handling time and space together with character understanding. The article introduces original ideas about the interrelated theatrical development across Eastern and Western cultural realms with insights into common historical patterns and cultural exchanges. Studies show that enhancing theatrical education together with merging traditional performance methods with contemporary developments will create a spiritually developed culture in Uzbekistan.