A Critical Reading of The Artistic Image In Modern Poetry: Omar Abu Risha, Mahmoud Darwish, and Amal Dunqul As A Model
Abstract
The artistic image gives value and strength to poetic texts. It is the mechanism without which the poetic text cannot be straight. In addition, studying its subject aims to address the central structure that revolves around the aesthetics of poetry, and through it the poet's experience is expressed so that the artistic image can portray his feelings and emotions that are based on a semantic basis for critical treatment. The current study aims to provide a critical reading of the artistic image in modern poetry by providing a critical reading of the poetic images presented by Omar Abu Risha, Mahmoud Darwish, and Amal Dunqul, who sought to raise the poetic pace with innovative linguistic methods and diverse images to increase the effectiveness, openness, and suggestive fertility of the poetic text. They relied on patterns to express the poetic nature of the poetic text, which was embodied in diverse and multiple images that gave the poetic text dynamism and renewed life that breathes through the words and verbal structures that the poet deposited in the structure of his poems that form his poetry collections.
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