The Role Of Poetic Devices In Shaping Character
Abstract
This article examines the critical role of poetic devices and artistic details in the formation and development of characters in modern Uzbek prose. Through a detailed analysis of Abduqayum Yo‘ldosh’s stories and novels, the study reveals how literary tools such as symbolism, metaphor, simile, internal monologue, and psychological detail function as mechanisms for conveying emotional depth and psychological complexity. These devices not only enhance the aesthetic richness of the narrative but also serve to portray inner conflict and moral development. The article underscores the integral connection between a character’s psychological state and the figurative language used to express it, emphasizing that the effectiveness of character portrayal is rooted in the nuanced use of poetic elements.
References
I. Sulton, *Adabiyot nazariyasi*, Tashkent: O‘qituvchi, 2005.
T. Boboev, *Adabiyotshunoslik asoslari*, Tashkent: Oʻzbekiston, 2002.
Q. Yo‘ldosh, *Yo‘niq so‘z*, Tashkent: Yangi Asr Avlodi, 2006.
B. Karim, *Ruhiyat alifbosi*, Tashkent: G‘afur G‘ulom NMIU, 2015.
B. Karimov, *Adabiyotshunoslik metodologiyasi*, Tashkent: Muharrir, 2011.
Yo. Solijonov, “XXI asr nasri manzaralari: Mavzu, muammo va yechim,” *Sharq yulduzi*, no. 4, pp. 147–157, 2011.
A. Yo‘ldosh, *Sunbulaning ilk shanbasi*, Tashkent: Yozuvchi, 1998.
M. Abdurahmonova, “Xarakter psixologizmi, muhit va tipik sharoit,” *O‘zbek tili va adabiyoti*, no. 2, pp. 29–35, 1975.
I. Yoqubov, “O‘zbek romanining ma’naviy-ruhiy asoslari,” *Sharq yulduzi*, no. 4, pp. 109–119, 2011.
F. Salaev and G. Qurbaniyozov, *Adabiyotshunoslik atamalarining izohli lug‘ati*, Tashkent: Yangi Asr Avlodi, 2010.
Q. Yo‘ldosh, “Ezgulik mavjlari,” *Sharq yulduzi*, no. 5, p. 14, 2015.
S. Matyoqubov, “Badiiy psixologizm qirralari,” *O‘zbek tili va adabiyoti*, Tashkent, 2006.
A. Yo‘ldoshev, *Bankir*, Tashkent: Tafakkur qanoti, 2012.
A. Yo‘ldosh, *Daryo*, *Sharq yulduzi*, nos. 1–6, 2016.
A. Yo‘ldoshev, *Mashaqqatlar osha yulduzlar sari: Hikoyalar*, Tashkent: Yangi Asr Avlodi, 2021.