Jazz Pieces by Uzbek Composers: Analysis of Jazz Techniques in 24 Preludes by V. Saparov

Abstract

The composers of the twentieth century actively use new writing techniques and synthesize different styles in their compositions. Many composers of the academic direction have turned a lot to jazz music. The piano music of Valeriy Saparov is a sophisticated synthesis of classical traditions and jazz styles. He has absorbed jazz styles into standard classical form and his approach to jazz idioms is authentic. Saparov adopted the virtuosic playing of Oscar Peterson and Art Tatum, the unique style of Erroll Garner, and the rich texture and harmony of his experience with big bands. The Twenty-Four Preludes, published in 2010, is one of Saparov’s most satisfying works and an ambitious genre to exhibit his extraordinary grasp of both jazz and classical music. The Preludes incorporate a large range of jazz techniques and styles with a variety of rhythms, tempos, and melody as well as the clear structural organization of classical music. A classical pianist performing these works must possess a formidable technique and comprehensive understanding of jazz playing. This study examines on jazz idioms and classical influences in Saparov’s music and how he combined them to create his own style.